I've been working on The Ocean Series for more than a quarter of a century now. Call it a post-modern approach to the color-field tradition if you like, but I'm not trying to deconstruct anything, fit into any category, or prove any theories.
Looking at a work of art affects us in a positive, a negative, or (rarely) a neutral way. This is obvious;
look at the images. Notice how you feel. My intention in making them was to create a meditative ambience: a profound and lucid calm. They are intended as a tonic for the human spirit.